::press::
"Extremely avant-garde and artistic, and in many ways still ahead of its time. She, Sir take one step beyond traditional noise rock and make shimmering, hauntingly beautiful arrangements that not only emphasize great precision, but also move in unpredictable, often pleasantly surprising ways." - (Faronheit; November, 2006) "Delicately harmonized vocals and transparent guitar hooks that rarely backslide into simply leaden melodies. 'Who Can´t Say Yes' finds She, Sir's melodic rock unhurried atmospherics and sharp melodies further adorned by layers of instrumentation. ...A band happy with an uncommon melodious minimalism." - Sabas (Sabas.Judas; August 24, 2006) "...you can hear the intricacies to which these two songwriters experiment with the shoegazer genre. Compared to 'Loveless,' the guitars are a little edgier, the vocals in a lower pitch and the drums have a harder kick. It is a wash of passionate experimentation and a dedication to making every sound blend in. ...The lush texture on 'Who Can't Say Yes' will hypnotize you." - Brent (Consumption Junction; August 18, 2006) "I find 'Who Can’t Say Yes' to be consistent with each song, along with incredible ingenuity and a fitting flow. She, Sir’s music seems to be oddly engaging. The EP still contains a diverseness that should express great attention and detail to the music at hand. She, Sir have one of the most modernly unique sounds I have heard lately" - Mike Mineo (Obscure Sound; August 17, 2006) "...Austin-based She, Sir is one of the rare ones that absolutely blew me away from the first second. Shades of My Bloody Valentine, Mogwai, and pretty much any other band known for creating layers of sound, but there's something beyond that. This is not your typical fare; this is what would've happened if shoegaze was around when Bach was growing up. 'Intricately crafted' doesn't even begin to describe it. Every sound has its counterpoint, every note is in place." - Charles Olney (Heartache with Hard Work; July 26, 2006) "Austin-based She,Sir deliver a sonic sound that draws you in from the time you first hear their music. The attention to detail in the music is obvious, you get a sense that they almost obsess over every note. Which I for one am thankful." - Richard Gonzalez (Ultra8201; July 10, 2006) "...something quite unique is going on here too - this isn't just shoegaze repackaged for 2006. And I think it's to do with their orchestral composer training - you can hear the detail, not just the wash of different sounds and layers... something that so, so many of the first-wave shoegaze bands just couldn't pull off. They didn't know how to. These guys do." - Colin Clark (Let's Kiss And Make Up...; May 10, 2006) "...expect dense, fuzzed-out guitars, uncannily Kevin Shields-y vocals and generally old-school shoegazey goodness. Worth watching." - Frank (Chromewaves.net; April 30, 2006)